"So it's got three meanings dil dil:" Seductive ideophony and the sounds of Navajo poetry

This article engages questions about translation, phonological iconicity, and seductive ideophony. I begin by discussing the work of Paul Friedrich (1979, 1986) as it relates to questions of linguistic relativity and poetics and the qualities of music and myth that constitute poetry. I then present a poem written in Navajo by Rex Lee Jim and four translations of the poem. Three will be from Navajo consultants and one of those translations will be, from a certain perspective, rather surprising. Namely, why does one consultant translate this poem as if it is composed of ideophones? The fourth translation is mine. I follow this by working through the morphology of the poem in Navajo and saying something more about the translators and the process of translation. I then provide a transcript of a conversation I had with Blackhorse Mitchell about this poem. I use this to take up questions of phonological iconicity (punning) and the seductive quality of ideophony (the pole of " music "). I also place this poem within a context of the stick game in Navajo philosophy (the pole of " myth "). This leads, in the conclusion, to reflections about linguistic relativity, misunderstandings, sound, and poetics.